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Postdramatic Theatre book

Postdramatic Theatre. Hans-Thies Lehmann

Postdramatic Theatre


Postdramatic.Theatre.pdf
ISBN: 0415268125,9780203088104 | 224 pages | 6 Mb


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Postdramatic Theatre Hans-Thies Lehmann
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SoulSeek follows in the tradition of post-dramatic theatre that echoes the work of Heiner Goebels, Daniel Brooks, and Robert Lepage. Have just finished reading Postdramatic Theatre from cover to cover in one long, frantically scribbling gallop. For many of the writers from German-speaking countries, the so-called post-dramatic theatre (theatre writing that has dispensed with any semblance of character or narrative) has become de rigueur. Sports Play is a post-dramatic text that explores the marketing and sale of the human body and of emotions in sport. Curriculum, Methods of Devising Performance. And Theatre Aesthetics in Australia is the first book to identify the 1980s and 1990s and work by groups and practitioners such as Open City, The Sydney Front and Jenny Kemp as key to the emergence of postdramatic theatre in Australia. Our research is about performance and post-dramatic theatre. Over this period, we learnt various interesting forms of theatre, such as Physical Theatre, Clowning, Verbatim Theatre, and Environmental Theatre and Post-Dramatic Theatre. Instead I rode the theatre train into the strange and compelling world of experimental theatre, from which my love of the musical and the bedroom farce are still recovering. For Hans-Thies Lehmann, the political relevance of postdramatic theatre derives from its potential opposition to spectacle and representation. (What is postdramatic theatre and do I even want it?!). Postdramatic theatre cover I am interested in the depth of Lehmann's analysis of 'postmodern' as a term in his Postdramatic Theatre. I didn't really think the over-used “postdramatic” tag fit any of the other theatres especially well; the Volksbuehne clearly is a poster child for the postdramatic. Although different in form, ranging from the more traditional dramatic form to postdramatic theatre, all three plays reflect the current social-political and economic environment.

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